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Shetland Jumpers January 02 2015

Available in 10 different colourways, our classic Shetland jumpers are warm and dependable; essential now that the weather is turning colder.

Our Shetlands are made with tubular construction and a saddle shoulder to create a better fitting, more comfortable shape. The turnback cuffs and traditional crew neck collar give the garment simple, clean lines that can easily be dressed up or down.

Our jumpers are traditionally crafted on the Shetland islands using 100% Shetland wool from the Jamiesons mill - a company who have been suppling yarn since the 1890s. Each jumper is finished with a lightly brushed texture to create a relaxed look and a soft hand.

Our Bleeding Madras after 6 months January 09 2014

Our inspiration for recreating bleeding Madras came from the subtle colours of 1960s originals examples that we own. This was a result of years of washing and wear which lent the shirts a relaxed and lived in appearance, one that is impossible to match with modern chemical dyes. Since original examples are so hard to come by - particularly in deadstock condition - a comparison between the pre and post fade colours has been impossible. 

 After 6 months of wearing and washing one of our shirts we are able to make such a comparison. The shirt has been worn and then machine washed weekly with a normal colour load. It has begun to develop a beautiful patina and personality with pastel shades and an incredibly soft hand. It is pictured on the left here with an unwashed and unworn shirt to show the subtle changes that it has undergone. Following this is an original 1960s shirt where the front panel has not faded as much as the others, giving a glimpse of what the colour would have originally been.

 


Our t-shirt jersey being made - Leicester January 06 2014


Leith Madras at Behind the Scenes: The Secret Life of Clothes - Harris Museum Exhibition December 27 2013

We're very proud to have had our Madras shirts added to the textiles collection at the Harris Museum. Their http://www.tmoi.org.uk/ website is a fantastic resource for anyone interested in the history of textiles and one that we used when creating our fabrics.

Pictured is our shirt on display next to an original 1860s Madras fabric swatch as part of the Behind the Scenes: The Secret Life of Clothes exhibition.

 


Photos from India August 22 2013



Our Madras May 22 2013

We design and manufacture our own fabric because we think that's the best way to produce interesting, high quality clothing. Our Madras is handcrafted for us by a small company based near Chennai, India. They are among the foremost experts on traditional Indian vegetable dyeing techniques and have been working to refine the process for several decades. The yarn is woven on a Victorian Selvedge loom to produce a light, strong fabric with a soft hand.

 

 

Vegetable dyeing is slow - some stages can take over a month - but it produces a complexity and depth of colour that is unobtainable with synthetic dyes. As the dyes are natural there is none of the pollution associated with industrial dyeing, rather the byproducts from our dyeing process are turned into compost and the waste water is used on crops.


A history of Madras May 21 2013

Photo used with the kind permission of the Harris <br> Museum & Art Gallery

Photo used with the kind permission of the Harris <br> Museum & Art Gallery

Our fabric is made exclusively for us by a small company based in the countryside not far from Chennai, India. Chennai was previously known as Madras - from which the fabric gets its name. This fabric, characterised by its light weight and loose weave is traditionally Indian and has been produced there for centuries. This, however, was generally a plain muslin that was then overprinted or embroidered in elaborate patterns. The colourful plaids that are generally called Madras today first began appearing about 150 years ago and was the result of a very Scottish influence.

The Tartan craze of the 19th century began with George IV's visit to Scotland in 1822 and was continued through the reigns of William and Victoria - who decorated Balmoral extensively with tartans designed by Prince Albert. This took place against a background of rapid industrialisation of the Scottish textiles industry, which saw the traditional hand looms being replaced by large scale industrial production of cloth for the international market. The influence of Scottish tartan on the Indian textiles industry can be seen on the excellent Harris Museum Textiles Manufacturers Of India website. The examples pictured are swatches of fabric manufactured in Madras sometime around 1866. One is very clearly a Tartan while the other bears a great deal of resemblance to the fabric that is today called Madras. One of the major companies involved in manufacturing and marketing this fabric was Anderson & Lawrie who later became David & John Anderson.

 David & John Anderson owned one of the largest mills in Glasgow during the 1850s and are today best known as the inventors of Oxford cloth. What is less well known today is the influence they had on the Indian textiles industry. An article in the Boston Evening Transcript from Friday, January 17th 1908 credits them as "the earliest makers of the Oxford cloth and the originators of the Colored Madras and Zephyr Cloths of which they invented the names, now so largely used for Shirtings all over the world". It also states that because of these that they are "so well known at the present day in America, London and the Continent of Europe". It is known that David & John Anderson supplied Brooks Brothers and several other major American shirt makers with Oxford cloth and it is likely that this is also where they first encountered Madras.

Though Madras was known to America from the time it was first woven - 5 piece of plain muslin were part of the 1718 donation that the Governor of Madras Elihu Yales gave to the college that now bares his name - its heyday lasted from the late 1950s until the mid 1960s. It first gained popularity among the Americans tourists who holidayed in Bermuda and the West Indies during the 1930s as the light weight and loose weave were perfect for the climate. From here it was worn by Ivy League students going back to college in the Autumn where it marked them out as wealthy enough to visit the expensive tropical resorts. This demand grew up till the advent of WWII.

In the postwar years several major manufacturers introduced patterned madras to the American public. Unfortunately, the sudden high demand for fabric from India led to much being manufactured that wasn't given sufficient time to fix. When these shirts were laundered for the first time all the colours bled into one another. Customers were unhappy about this and immediately returned them to the manufacturers. Marketing guru David Ogilvy was brought in and came up with the ingenius solution of making a feature of the running colours. "Guaranteed to Bleed" was born and became an immediate success right across America.

The fabric began to fade away during the late 1960s when consumer tastes moved towards brighter and bolder synthetic colours and changes to the Indian economy meant the small scale, labour intensive vegetable dyeing became less viable. It has rarely been available in the years since and today we are one of the only companies who produce it.